Apart from the ethics of this (Lexi is lucky Rue was deeply affected by it), it is not good writing to directly transplant someone else’s emotional crisis for your own creative expression. One of the emotional cruxes for the play is just word-for-word Rue reading a speech she made at their dad’s funeral. But Euphoria’s writer intends for us to see something rich and powerful in “Our Life” in order to disagree with her.Ĭreator Sam Levinson (who has written all but one of Euphoria’s episodes by himself) is fixated with the idea that replaying previous beats from his own show will be hugely illuminating for his characters, but there’s very little to be gleaned from Lexi’s creative voice except for showing that she’s perceptive of her friends’ insecurities. As people boo Cassie, it’s clear where we’re meant to stand on this comment. When Cassie storms onstage, she sarcastically applauds her sister for just laying out all her trauma and expecting sympathy. It’s an act of replication the people in her life are given altered monikers and ushered out in front of an audience so Lexi can give us her opinions on them. Scenes are directly lifted from their past and lit up with blaring spotlights, with the barest artistic interpretation or reflection gone into their staging. are so affected by Lexi’s play is that it is literally their lives onstage. The only reason Cassie, Maddie, Rue et al. But the weaknesses of the play aren’t acknowledged by the show her anxieties about publicly expressing herself extend to, “Will it be too scandalous?” The problem is Euphoria treats “Our Life” like a powerful piece of art, so its attempts to reach emotional epiphanies for our characters fall drastically short. The play, and this moment, is the culmination of her ascendance from a paper-thin side character to a fully-fledged supporting role, one who is skeptical of her past (her troubles with watching addicts worsen their lives) and hopeful for the future (a sweet if ultimately doomed connection with Fez). Lexi is a child and this is the first time her writing has been shared with an audience, even though this argument would be a lot more convincing if the play didn’t have the budget and backstage powers of an off-Broadway premiere. “Our Life” is obnoxious, obvious, and utterly devoid of substantial metaphor or meaning. Savour these moments, because it is the only instance where things feel like an actual high school play, with a bored audience and shoddy execution. Tired of living on the periphery of the loud, explosive characters around her, Lexi has put on a play from her personal vantage point called “Our Life.” When the title is displayed onstage, spelled out in giant letters, it’s greeted with silence. If they had, it would have gone down a lot differently than it did in the most recent episodes of Euphoria. Thankfully, very few of my teenage plays were ever performed, and none of them were seen by an auditorium packed with my friends and peers. Hell, I’ve written worse plays than Lexi Howard’s, especially in high school. "Her makeup accompanies this by being less playful and more 'I don't give a fuck' this season.I’ve seen worse plays than Lexi Howard’s. She goes through the classic high school moment of chopping off her long hair, which can be a big statement for a teenage girl," Davy said. The makeup artist also told Byrdie that the character's makeup "portrays a peeling away of feminine layers and a big moment of transition for her." "Hunter said these shapes reminded her of a 'MERMAID PURSE,' which is a dark leathery encasement that protects a developing shark embryo," Davy revealed on Instagram. Jules' angular eyeliner reflects her darker state of mind. The season two premiere, "Trying to Get to Heaven Before They Close the Door," takes place shortly after her therapy session. She also says she wants to be "as beautiful as the ocean." In a special episode that aired last year, Jules tells her therapist that she's heartbroken and questioning her perception of femininity. Throughout season one, her eye looks get darker and harsher and she grows more anxious. Hunter Schafer's heroine Jules is daring and expressive with makeup. Account icon An icon in the shape of a person's head and shoulders.
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